Drawing, movement and listening
I begin drawing without deciding what the image should become. These drawings are not composed images, but accumulations of gesture.
They emerge through repetitive movement, breath, and environmental exposure.
The marks do not represent sound; they register how breath, listening, and environmental exposure reorganise bodily pressure, rhythm and duration.
“I build conditions where marks emerge from embodied sensing”
graphite, repetition, breath-driven gesture
duration: 30–60 minutes per surface
no pre-defined composition
ongoing research method
SYSTEM
- repetition as a method
- breath as a rhythm regulator
- mark as residual trace
- interruption as structure